Moscow native and classical pianist, Evgeny Kissin, launched into the limelight in 1994 in Los Angeles performing his interpretation of Transcendental Étude No. The 1837 version bears a coda which is modelled after the coda in the finale of Beethoven's "Appassionata" Sonata. The climax occurs right after the softest part of the piece and is an octave D ♭ played 23 times in a row with rhythmic changes and rapid left-hand arpeggios that constantly change theme. ![]() ![]() The étude is in sonata form, with a second group in E ♭ minor, and an explosive coda. Other difficulties include cramped spacing (the hands are often close together), left-hand arpeggiated passage work, complex figurations in polyrhythm, and the right hand ascending the keyboard in swiftness using only the thumb, the third, and fourth finger. Passage work for the left hand is rather difficult, while the right hand plays the melody mostly in octaves. The title of Appassionata was provided by Ferruccio Busoni. 10 in F minor, "Allegro agitato molto", or Appassionata, is the tenth of twelve Transcendental Études by Franz Liszt. The first two bars of the Transcendental Étude No. JSTOR ( December 2020) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "Transcendental Étude No. ![]() Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
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